Browsing my favourite fiction authors, what do Helen Dunmore, Elena Ferrante, Zadie Smith, Margaret Forster and Kazuo Ishiguro (sometimes) do, that Margaret Atwood, Ian McKewan, Rose Tremain and Kazuo Ishiguro (sometimes) don’t?
Clue: It was good enough for Chaucer and (sometimes) Shakespeare, but has a reputation as a turn-off in submissions to agents and publishers. At the Guardian Masterclass I attended, the invited agent said: „Never send me a submission with a prologue!“ And here are two more, quoted on the Writer’s Digest:
“I’m not a fan of prologues, preferring to find myself in the midst of a moving plot on page one rather than being kept outside of it, or eased into it.”
„Damn the prologue, full speed ahead!”
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